DREAD WORKS
WARNING: THIS TAPE CONTAINS FLICKERING IMAGES, SUDDEN LOUD SOUNDS AND THINGS THAT SHOULD NOT BE THERE.
FOUND FOOTAGE · VIEWING NO. 01 · DO NOT ERASE
A horror consultancy. We engineer the moment an audience stops breathing, through narrative, scares, sound and song.
Evidence / 01
Four disciplines, one obsession. We come in wherever the fear needs to be sharper, whether that's the story, the scare, the sound or the song, and we leave it working.
Exhibit A
Stories that follow you home. We build mythologies, lore bibles, characters and the slow-burning backstory that makes a scare mean something. From a ninety-second queue-line pre-show to a feature script, we find the wound the horror crawls out of.
Open the file: narrative ▶Exhibit B
Fear is engineering. Scare mechanics, actor placement, sight lines, misdirection, timing and pacing, right down to the beat of silence before the drop. Jump scares that land, and dread that never lets go.
Open the file: scares ▶Exhibit C
Most fear enters through the ears. Soundscapes, binaural and spatial design, creature vocals, foley and the low frequencies you feel before you hear them.
Open the file: audio ▶Exhibit D
Horror has a voice. Original songs, lullabies, cult hymns, theme music and lyrics: earworms written to haunt an audience long after the lights come up.
Open the file: song ▶Evidence / 02
Mazes, haunts, scream parks and escape rooms. Scares that keep working at high throughput, actor direction, and themed storylines that sell tickets and bring people back next season.
Play tape 01: Scare attractions ▶Evidence / 03 · The anatomy of a scare
01 / 04
They sense something is wrong before they can say what. A wrong note, a door slightly open, a story that doesn't quite add up.
02 / 04
We tighten it. Silence. Delay. The long corridor. Every second you hold the scare back raises what it's worth.
03 / 04
The scare. Timed to the heartbeat, aimed at the blind spot, and earned by everything that came before it.
04 / 04
The nervous laugh, the shaking hands, the story they tell on the drive home. That's what sells the next ticket.
Evidence / 04
Anyone can shout "boo". We study why fear works: anticipation, uncertainty, the uncanny, the body's own alarm system. Then we build it into your story, your space and your sound. Every scare earns its place, and every silence is doing something.
Nothing is behind you.
Evidence / 05
No. 0666
MEMBER SINCE 1987
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